Russian prosecutors on Monday called for a six-year prison sentence for acclaimed director Kirill Serebrennikov, accused of embezzling public funds in a case that has stirred criticism at home and abroad.

Serebrennikov is charged with creating an organised criminal group with his colleagues and embezzling more than $2 million of state funding for a theatre project called Platforma.

Russian director Kirill Serebrennikov has called the charges  of embezzling of government funds 'absurd'
Russian director Kirill Serebrennikov has called the charges of embezzling of government funds 'absurd' AFP / Kirill KUDRYAVTSEV

He has insisted the money was used properly and calls the charges "absurd".

The prosecution asked the judge to sentence Serebrennikov to six years in prison and a fine of 800,000 rubles ($11,536), an AFP reporter in the Moscow court said.

The 50-year-old head of Moscow's Gogol Centre theatre -- who supporters say is facing politically motivated charges -- was detained in August 2017.

Russian director Kirill Serebrennikov is charged with creating an organised criminal group with his colleagues and embezzling more than $2 million of state funding for a theatre project
Russian director Kirill Serebrennikov is charged with creating an organised criminal group with his colleagues and embezzling more than $2 million of state funding for a theatre project AFP / Kirill KUDRYAVTSEV

In April last year, he and his co-defendants Sofia Apfelbaum and Yury Itin were released from house arrest in a ruling which allowed the director to leave his apartment in Moscow and communicate freely.

The prosecution on Monday requested jail terms of four years and fines of 200,000 rubles each for Apfelbaum and Itin.

It requested five years in prison and a 300,000 ruble fine for a fourth defendant, Alexey Malobrodsky.

The embezzlement trial has attracted international attention and calls for his release everywhere from Hollywood to Cannes.

In 2012, Serebrennikov was appointed as the director of the small state-funded Gogol Centre, which he turned into one of Moscow's best theatres and a favourite of the liberal intelligentsia.

Yet Serebrennikov's work has angered cultural conservatives in Russia who see his frequent use of on-stage nudity and obscene language, as well as modern adaptations of classics, as a step too far.